Great New Music: Compass’ Munchy the Bear

Some great new music out this summer that I can’t wait to listen to:

Shapes and Sizes
M. Ward (coming soon, although Fred somehow got to listen to the record)
Sufjan Stevens
White Whale (new on Merge Records, which is M. Ward’s label)

I haven’t been through the above records yet but I’m loving Munchy the Bear by Compass.  The songs on the record sound different, and I’m not crazy about some of them, but somehow it all works and, above all, it’s interesting.  I tried to think of how to describe Compass and their sound but it’s a tough one.  From their bio site:


Compass was founded in 1997 at the historic Camp 2 Studios. Amongst 40
crazed artists, drug dealers, and other fools, Dave Doom developed the
compositional method he still employs today: play (repeat). Surrounded
by electronics, organs, drums, pianos, guitars and musicians, Doom
began to collect and release sound collages. His first release, a
homespun EP, caught the attention of SharkAttack!, who liked it so much
they released a gorgeous red vinyl Compass 7" and encouraged Compass to
work on a full length. 6 years and 100 songs later, SharkAttack! is
bringing Compass to the masses with the debut full-length you hold in
your hands.

Closest comparison I can make given their instrumentation, penchant for sampling and texture is Beck’s Odelay.  It’s clear that Dave Doom, the driving force behind Compass, is a genius.  Munchy the Bear is a concept album around the theme of mankind’s ability to destroy itself via nuclear weapons. 

Compass are donating all profits from the sale of the record to Oxfam.  They’ve also created the Catacombs, which is a place that they’ll post some stuff from past and future.  Brilliant.  I’m already digging Casablanca.

PaidContent.org gets Paid

Well, they just got funded anyway.  Smart money too.  But you probably know this already since everyone in the biz reads it.  Congrats Rafat and team, keep up the great work.

Sony BMG’s New Broadband Video Initiative

Yesterday, Sony BMG announced their new internet video initiative in which they intend to broadly distribute their music video content by publishing it from their own sites as well as syndicating to third-party sites and even consumers wanting to (legally) add this content to their social network pages.  This initiative is ad-supported.  Some nice coverage of the announcement here, here and here.  My employer, Brightcove, is the company powering this initiative for Sony BMG and this is a deal I worked on so I am obviously biased but these sorts of initiatives are noteworthy because the labels are clearly demonstrating that they believe that their content should ‘flow like water’ to wherever consumers can access it long as they’re able to monetize it, instead of simply trying to put the genie back in the bottle and look for ways to prevent the distribution of their content.  Moreover, the pursuit of advertising-driven business models is very much on their minds as they continue to horizontally integrate and vertically disintegrate.  Finally, this is yet another step in the sea change in which major labels are viewing their music videos as less a necessary promotional cost but as a potential profit center.

The Meaning of a Media Company

Digital distribution is enabling media companies to transcend their medium and changing what it means to be a media company.  Traditionally, media companies have been defined by their mode of content distribution:

Record Labels
Magazines & Newspapers
Radio Stations
TV Broadcasters
Cable Networks
Movie Studios

These lines are now blurring.  Magazines are producing podcastsRadio stations are streaming video. Something that the TV Broadcast and Cable companies are aggressively adoptingThey’re doing video games as well.

Companies that can successfully extend their brands and profitably create and distribute content for this blurred world will do well.  Others will be hobbled by inertia and clashes between vested interests — for instance, siloed salesforces, or by maintaining vertical integration (witness the troubles that Sony Connect experienced).  But the times will not stop changing.  If anything change will accelerate as evidenced by the sea change in broadband video adoption by the major media companies over the past 9 months.  Should be fun to listen to/read/watch/play.   

Update:  David Kirkpatrick of Fortune articulately elaborates on this theme.  He writes:

All Web sites are alike. Regardless of their owners, they can all do
the same set of things. In that fact lies the profound crisis facing
all aspects of the media industry.


It doesn’t matter whether a Web site’s owner once focused on publishing
newspapers or magazines, broadcasting television or radio, making music
or producing movies, or even selling soft drinks. Any Web site can host
text, audio and video, it can facilitate connections and communication
between users, and it can enable those users to create and display
their own text, audio or video.

 

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