Secret Cinema: A New Kind Of Movie-going Experience

I went to Secret Cinema‘s June performance a couple of weeks back.  Secret Cinema is a group that organize movie-going “events” about once a month for just about a week at a time.  The concept is that the location of the film is kept secret until just before you go. While they drop hints about the film, you don’t know what it is until you get there.  For this one, we were told there would be a travel theme and to show up in Canary Wharf at a certain time and with certain type of clothing on including goggles and umbrellas.  It was quite a sight to see fellow travelers amongst the suits of Canary Wharf!

We were then whisked away to the location and, soon, it became apparent that the film was Blade Runner.  They absolutely nailed it.  From the policemen conducting random interviews to the warehouse that recreated various scenes and set from the movie to the actors acting some scenes out, we were blown away by the attention to detail and the overall experience.  After a couple of hours of taking it all in, we were ushered into the screening of the film and recognized many things in the movie that we had just ‘seen’.  

While tickets, at about 25 pounds a pop, were a bit more than double the cost of a normal ticket, it was great value for one of the coolest art/performance/experiences I’ve seen.  It’s no surprise that they sold out all their dates and represented about the 11th largest grossing movie in the UK (albeit during a down season).  Below is the official video.

It’s great to see innovation happening to something as mundane as going to a movie – clearly consumers are looking for and willing to pay for ‘experiences’.  While Secret Cinema will be hard to scale, it is also impossible to substitute digitally, and I hope they keep up the good work.

EMI’s New Strategy

Long piece in Wired about EMI's new CEO, Roger Faxon, and their new strategy to become a "comprehensive rights management company".  It doesn't quite roll off the tongue but it makes lots of sense.  Two years ago, I'd advocated that they give up on trying to sign and break new music and instead focus on monetizing catalogue, which they have a proven track record in.  They're not going that far – they still state that they're going to sign new artists – but they seem to be focusing on acquiring and managing various types of artist rights.  Makes a lot of sense to me as long as they have the talent and expertise to be able to properly exploit the rights they acquire.

Great New Music So Far In 2010

2010 is shaping up to be a bumper year when it comes to new music for me, especially compared to last year.  I've really been digging new artists (Fanfarlo, The Drums) as well as new releases from others (Vampire Weekend, Gorillaz, The National and Goldspot).  Some of these may have come out last year but I feel like they've really started hitting this year…not to mention that Arcade Fire and The Walkmen have new records upcoming!  I created a mix on 8tracks, "handcrafted radio", with some of my favorite tracks from these records.  Enjoy!

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